Skip to main content

Type 1 - The Perfect One


Exploring the Enneagram through Art (continued)
I want to explain the different types as they are identified in the Enneagram of Personality by using images of the sculptures we made for our exhibition, Your Signature, My Life. 

Our personalities are formed in our attempts to protect and defend our essential being, or essence. By adopting coping mechanisms in childhood, we survive the physical world, but get cut off from our essential nature. In each sculpture, we portrayed the personality type as the imprint or Signature that has been stamped onto us. The essence, or Life, which has to be allowed to surface in order for us to fully realize ourselves, is shown to be present always, but nuanced and even hidden.
By exploring the Enneagram in this way it helps us to get insight into the deeper meaning of our life that we not always have access to through cognitive thinking alone.


In The Wisdom of the Enneagram by Don Riso and Russ Hudson, they "have named personality type One the Reformerbecause Ones have a sense of mission that leads them to want to improve the world in various ways, using whatever degree of influence they have."

The signature of this personality is perfectionism. In childhood the unconscious message was that it is not acceptable to make mistakes. Ones then tend to live their lives trying to do what is right. They live in a black/white world where grey areas are not tolerated. They tend to be critical of others but especially of themselves.

Their deepest desire is to be good and virtuous, to be in balance and have integrity. They connect with their true nature, their life essence, by making peace in their internal war and by accepting all parts of themselves. They then become wise and discerning, putting to good use their strong sense of intuition, their ability to be practical and focused and their passion in fulfilling their dream to live for a higher purpose.

The signature/ personality trait of Ones  in the white/black or right/wrong aspects of their thinking is shown in the perfect sphere of two toned wood.  Their Life essence however is shown as a organic, plant-like figure growing out of a cracked split in the sphere, thereby indicating that it is in accepting imperfection and brokenness that they can grow towards the higher purpose they feel called for.
Materials used: Ceramic clay, Mahogany Blondie, Blackwood, Yellowwood, iron screws.
Size: 70cm high x 45cm wide x 15cm deep

Artwork by Matilda Clifford and George Angus

Bibliography:Helen Palmer, The Enneagram (HarperCollins Publishers, 1991)
Don Richard Riso and Russ Hudson, The Wisdom of the Enneagram (Bantam Books, 1999)
Richard Rohr and Andreas Ebert, The Enneagram A Christian Perspective (The Crossroad Publishing Company, 2009)

Matilda





Comments

Popular posts from this blog

Whistle while you work

Drawing by Ron Leishman When last did you whistle while working? When last did you hear someone else whistle while working? Somehow it bothers me that whistling has become an almost absent element in our work. The sound of a person whistling a tune while busy somewhere in the house or out in the workshop conveys something of an underlying happiness, satisfaction and contentment. An enjoyment of the work itself. The tune need not be flawless. Applying more air than sound won’t lead to disqualification, as long as the intention is there. Whistling can even be replaced by singing in all that I’ve said up to now. The same principles apply. The absence of any of these two activities bothers me because it says something about us doing the work and the type of work that we do. Can it be that our type of labour in this 21 st century is not conducive to either whistling or singing? What type of work is that then – draining, stressful, pressured? Or are our conclusions ...

Lessons in Sunbirdish (1)

I have no way of proving that God exists. For a long, long time I believed because I didn't think I had a choice. If it is a choice between heaven and hell, you do what it takes to secure your celestial seat. Somehow I never stopped to consider why I so strongly believed in a heaven and hell, but wasn't nearly as sure that there's a God holding the keys to them. Then the sunbirds came. Slowly but surely I am being taught the dialect I need to converse with God. Or rather, to follow on what seems to be a trail that God leaves me. Being just up ahead and beckoning me all the while, it's not a chase after or a search for God, but rather a joint venture with God scouting and reporting back when my spirit runs low on this journey through life. In  A Rare Find  and  Bird on my window sill  I touched on synchronicity. I have come to believe that consciously living our moments, awakens us to the fact that there are more things in this life than meet the eyeball. Things t...

A likely Hero: Jara Cimrman

As Matilda has already indicated, one of the most difficult things to do after you’ve visited a country is to return and convey something of what you’ve experienced. How do you show a city’s many faces, introduce its inhabitants? How do you tell of the effects a history has on people and of a stance towards life that can actually not be translated into words? In the case of Prague, it is very helpful to have someone like Jara Cimrman. ~ ~ v ~ ~ Petrin Hill, on the left bank of the river Vltava running through Prague, is in many ways a site worth visiting. Climbing the 299 steps of the Petrin Tower, inspired by the Eiffel Tower, gives you one of the most beautiful views of the city. But by going down into its basement, you enter into the psyche of the Czech people. Here, quite unobtrusively, is the museum for the “ Genius, who has not become famous ”. Matilda and I almost stumbled onto it by chance and as we went through the exhibition, our amazement over this brilliant ...