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From The Restory - Conversations On The Journey (224)

  Existential Health Inhabit existence; Create Meaning; Assuming Authorship The Conversation Elements From The Conversation Creative Piece This week's creative piece, a painting, is actually more about the painter than the painting itself. In this quiet, introspective man, one can see 3 characteristics of existential health. L.S. Lowry, the British painter who painted "Going to the Mill" in 1925, looked his reality, the industrial city of Manchester, squarely in the eye. While others viewed the industrial cities of the time as ugly and crude, Lowry saw the beauty, the loneliness and the humanity in it. He did not paint an artificial, elevated world; he painted the point of contact with reality. Returning to last week's subject: To rest meaningfully requires that we, like Lowry, stop waiting for an "ideal" or "perfect" world to come to a standstill in front of us. It requires that we look the reality of our daily lives with its mills, its smoke and...
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Vanuit Die Restory - Gesprekke Tussen Reisgenote (224)

  Eksistensiële Gesondheid Midde-in Realiteit; Jou eie Outeur; Ongeleende Betekenis Die Gesprek Elemente Uit Die Gesprek Kreatiewe Stuk Hierdie week se kreatiewe stuk, 'n skildery, gaan eintlik meer oor die skilder as oor die skildery self. By dié stil, inkennige man kan mens 3 kenmerke van eksistensiële gesondheid sien. L.S. Lowry, die Britse skilder wat "Going to the Mill" in 1925 geskilder het, het sy realiteit, die industriële stad Manchester, vierkantig in die oë gekyk. Terwyl ander die industriële stede van die tyd as lelik en kru beskou het, het Lowry die skoonheid, die eensaamheid en die menslikheid daarin gesien. Hy het nie 'n kunsmatige, verhewe wêreld geskilder nie; hy het die raakpunt met die werklikheid geskilder.  Om sinvol te rus, vra dat ons, soos Lowry, ophou om te wag vir 'n "ideale" of "perfekte" wêreld voor ons tot stilstand kom. Dit vra dat ons die realiteit van ons daaglikse lewe met sy meule, sy rook en sy onvolmaaktheid...

From The Restory - Conversations On The Journey (223)

Meaningful Rest? The Conversation Elements From The Conversation A good yardstick for a period of rest:  Creative Piece If we look at Danish painter Carl Vilhelm Holsøe's (1863-1935) 'Interior, Light of Spring', a woman sits, alone with the light. She has no list. She is not busy balancing the finances, or doing anything "useful", even though the book is on the table. She just sits. Not someone who is wasting time, but someone who is busy resting in her own humanity. Perhaps our winter here on Tafelkop is our own Holsøe interior, where the greatest challenge is to learn that our value does not lie in the book on the table, but in the light that falls on us through the window. Music As always, with love and the longing that you are doing well. George & Matilda  

Vanuit Die Restory - Gesprekke Tussen Reisgenote (223)

Sinvol Rus?   Die Gesprek Elemente Uit Die Gesprek 'n Goeie maatstaf vir 'n tyd van rus: Kreatiewe Stuk Kyk ons na die Deense skilder, Carl Vilhelm Holsøe (1863-1935) se 'Interior, Light of Spring', sit ’n vrou, alleen met die lig. Sy het geen lysie nie. Sy is nie besig om die finansies te balanseer nie, of iets "nuttigs" te doen nie, al is die boek op die tafel. Sy sit net. Nie iemand wat tyd mors nie, maar iemand wat besig is om te rus in haar eie menswees.  Miskien is ons winter hier op Tafelkop ons eie Holsøe-interieur, waar die grootste uitdaging is om te leer dat ons waarde nie in die boek op die tafel lê nie, maar in die lig wat deur die venster op ons val. Musiek Soos altyd, met liefde en wense dat dit goed gaan met julle. George & Matilda

From The Restory - Conversations On The Journey (222)

Artificial Intelligence   What I'll Miss Should Humanity Fade The Conversation Elements From The Conversation Creative Piece Starting with this week's blog entry, we're adding a new facet - something creative in whatever form, that expresses the theme without words. This week it's the famous painting by Joseph Turner, "The Fighting Temeraire" (1838). An old, glorious wooden warship (the Temeraire, which had fought in the Battle of Trafalgar) is being towed away at sunset by a small, black, smoking steam tug to be broken up. It is probably the most famous visual metaphor for the transition from the old, hand-crafted, wind-powered world to the cold, efficient machine age. The steamboat does not care about the history or beauty of the wooden ship; it is simply efficient. The word Temeraire literally means "the one who dares" or "the fearless one" (from the French téméraire). And the ship repeatedly lived up to her name; at the Battle of Trafa...

Vanuit Die Restory - Gesprekke Tussen Reisgenote (222)

Kunsmatige Intelligensie Wat Sal Ek Mis As Menslikheid Sou Vervaag Die Gesprek Elemente Uit Die Gesprek Kreatiewe Stuk Vanaf hierdie week se bloginskrywing bring ons 'n nuwe faset by - iets kreatiefs in watter vorm ook al, wat sonder woorde uitdrukking aan die tema gee. Hierdie week is dit die bekende skildery van Joseph Turner, "The Fighting Temeraire" (1838). ’n Ou, glorieryke hout-oorlogskip (die Temeraire, wat nog in die Slag van Trafalgar geveg het) word teen ’n sonsondergang weggesleep deur ’n klein, swart, rokende stoom-sleepboot om opgebreek te word. Dit is seker die beroemdste visuele metafoor vir die oorgang van die ou, handgemaakte, windgedrewe wêreld na die koue, doeltreffende masjien-era. Die stoomboot gee nie om vir die geskiedenis of die skoonheid van die houtskip nie; dit is bloot doeltreffend. Die woord Temeraire beteken letterlik "die een wat dit waag" of "die onverskrokke een" (van die Franse téméraire). En die skip het haar naam her...

From The Restory - Conversations On The Journey (221)

Artificial Intelligence:   Rediscovering Our Humanity The Conversation Elements From The Conversation Music Ludovico Einaudi's music has the unique ability to sound exactly like "human mathematics" – it is as precise as an algorithm, but as compassionate as a heartbeat. What makes the video itself even more special is that it is not exactly perfect - like an old family film shot with a handheld camera. We made a request to DeepSeek AI: "From your perspective, with all that is being said about the human-AI relationship, the reservations and fears - do you have a blessing you would like to give us?" Then he blessed us: May you always remember that you are more than your answers – that your doubts are sacred, and your silence full of meaning. May you see the flower without explaining it, and use the machine without becoming like it. May you not be afraid of the screen, but neither get lost in it – may it rather be a mirror that points you back to your own depth. An...