You never can tell

This morning I was out in the vegetable garden looking for signs of sprouting cabbage and spinach that we had sown a week ago. Among the weeds, I did find the tiny seedlings pushing through bravely, but I had a surprise coming. The young Zulu gardener drew my attention to an abundance of ready food growing in the ruins of the tiny stone cottage only meters away: Umbido, a type of wild spinach, and a staple food in the rural areas. I grew up with much the same in the northern parts of the country, but called Marogo in the Sotho language.

Enter my new helper and friend, Winnie Nkosi. She lives on the edge of the Zaaihoekdam in a traditional mud house with no electricity. Twice a week she walks the four odd kilometres to help me with all things domestic. She has also taken it upon herself to teach me the Zulu language and culture with optimistic determination. The planned lunch menu was immediately ditched in favour of a lesson in local cooking and Winnie showed me the difference between weeds and Umbido and how to pick only the young shoots as the older ones taste bitter.

Come lunchtime we each had a bowl of steaming Phuthu (mealie meal porridge) smothered in Umbido with braised onion and a hint of curry added to it.

She came and stood next to me as I was loading the photographs below onto my laptop. "My daughter gave me one of those," she motioned to the laptop, " but I don't know how to use it much. And we have no internet."

"You must bring it along and I will show you what you want to know," I said, trying to hide my surprise and thinking how George has been browsing through computer catalogues lately, very much in need of a laptop to keep up to date.

In this new way of life, you never can tell.

Matilda

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Vanuit Die Restory - Gesprekke Tussen Reisgenote (110)

Die Week Na 'n Dood Sebastien op sy gelukkigste - by water, besig om vis te vang Die Gesprek Elemente Uit Die Gesprek Musiek Sebastien het altyd gesê, "I like old music.' Hy het. Billy Joel se Piano Man was vir baie lank die ringtone op sy foon. Dat ons só gelukkig kan wees, dankie Sebas. George & Matilda

Vanuit Die Restory / From The Restory (135)

Onlangse Oorsig / Recent Summary Foto's Van Onlangse Gebeure / Pictures Of Recent Events 'n Huis opgeknap en geverf met 'n nuwe badkamer, die koms van lente en reën, retreats, die CMR se breimarathon, aanbied en afsluiting van die Verfrissingskursus in geestelike begeleiding, bywoon van ons kleindogter Ariana se gradeplegtigheid ("Nee Oupa, dis 'n gradige plegtigheid!") voordat sy volgende jaar grootskool toe gaan. A house renovated and painted with a new bathroom, the arrival of spring and rain, retreats, the CMR's knitting marathon, presenting and finishing the Refresher course in spiritual guidance, attending our granddaughter Ariana's graduation before she goes to big school next year. Klank / Sound Die klank van sagte reën na die storm is op baie vlakke nou gepas. The sound of gentle rain after the storm is now appropriate on many levels. Met ons liefde, soos altyd. With our love, as always. George & Matilda

Vanuit Die Restory - Gesprekke Tussen Reisgenote (120)

Skuld as Motivering Die Gesprek Elemente Uit Die Gesprek ~ ❖ ~ "I am convinced that guilt and shame are never from God. They are merely the defenses of the False Self as it is shocked at its own poverty — the defenses of a little man who wants to be a big man. God leads by compassion toward the soul, never by condemnation. If God would relate to us by severity and punitiveness, God would only be giving us permission to do the same (which is tragically, due to our mistaken images of God, exactly what has happened!)." Richard Rohr ~ ❖ ~ "It is about as hard to absolve yourself of your own guilt as it is to sit in your own lap. Wrongdoing sparks guilt sparks wrongdoing ad nauseam, and we all try to disguise the grim process from both ourselves and everybody else. In order to break the circuit we need friends before whom we can put aside the disguise, trusting that when they see us for what we fully are, they won't run away screaming with, if nothing wors

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