Skip to main content

Open To The Year Retreat - Evening Meditative Experience 1

 

Start this meditative session by sitting comfortably and just be silent for a while. Whenever you're ready proceed to read and listen. Stop often, let it sink in.





On a retreat, where the focus is on a specific poet, mystic, author or artist, we try, if possible, to include an interview with that person. It is good to hear her/his voice.

Here then, an interview with Mary.




Mary was attentive to nature with poems flowing out of that. Ludovico Einaudi channels those experiences into music. 






Mary often talks about her fondness for "dead poets" and their influence on her life and work - Blake, Rumi, Whitman, Emerson, to name a few. 

We too need the dead poets and their words:



Excerpt from Dead Poets Society



O Me! O Life!
By Walt Whitman

Oh me! Oh life! of the questions of these recurring,
Of the endless trains of the faithless, of cities fill’d with the foolish,
Of myself forever reproaching myself, (for who more foolish than I, and who more faithless?)
Of eyes that vainly crave the light, of the objects mean, of the struggle ever renew’d,
Of the poor results of all, of the plodding and sordid crowds I see around me,
Of the empty and useless years of the rest, with the rest me intertwined,
The question, O me! so sad, recurring—What good amid these, O me, O life?

Answer.
That you are here—that life exists and identity,
That the powerful play goes on, and you may contribute a verse.


"What will your verse be?"


"Tell me, what is it you plan to do
with your one wild and precious life?"


Close by holding all for a few moments in silence.


Comments

Popular posts from this blog

Vanuit Die Restory - Gesprekke Tussen Reisgenote (154)

Wakkerstroom Klassieke Musiekfees 2025 20 - 23 Maart 2025 “God sprei die hemel uit oor die leë ruimte,  Hy laat die aarde hang waar niks is nie.  Hy versamel die water in die wolke, en hulle skeur nie onder die las nie.  Hy plaas die horison op die see,  'n grens tussen lig en donker.  Dit is maar die begin van sy dade,  ons hoor net die gefluister van sy woorde.  Maar die volle krag van sy dade, wie kan dit verstaan?” ‭‭Job ‭26‬:‭7‬-‭8‬, ‭10‬, ‭14‬ ‭AFR83‬‬                           Dit is weer daardie tyd van die jaar! Herfs is oral sigbaar en voelbaar en daar is die geur van kreatiwiteit en voorbereidings in die lug wanneer jy ons klein dorpie binnekom. Hierdie naweek bied ons ons jaarlikse Wakkerstroom Klassieke Musiekfees aan. Wonderlike, talentvolle musikante van oral, tegniese spanne en die mense wat hulle optredes sal bywoon, stroom na Wakkerstroom. Musiek is nie die enigste item ...

Lessons in Sunbirdish (1)

I have no way of proving that God exists. For a long, long time I believed because I didn't think I had a choice. If it is a choice between heaven and hell, you do what it takes to secure your celestial seat. Somehow I never stopped to consider why I so strongly believed in a heaven and hell, but wasn't nearly as sure that there's a God holding the keys to them. Then the sunbirds came. Slowly but surely I am being taught the dialect I need to converse with God. Or rather, to follow on what seems to be a trail that God leaves me. Being just up ahead and beckoning me all the while, it's not a chase after or a search for God, but rather a joint venture with God scouting and reporting back when my spirit runs low on this journey through life. In  A Rare Find  and  Bird on my window sill  I touched on synchronicity. I have come to believe that consciously living our moments, awakens us to the fact that there are more things in this life than meet the eyeball. Things t...

Whistle while you work

Drawing by Ron Leishman When last did you whistle while working? When last did you hear someone else whistle while working? Somehow it bothers me that whistling has become an almost absent element in our work. The sound of a person whistling a tune while busy somewhere in the house or out in the workshop conveys something of an underlying happiness, satisfaction and contentment. An enjoyment of the work itself. The tune need not be flawless. Applying more air than sound won’t lead to disqualification, as long as the intention is there. Whistling can even be replaced by singing in all that I’ve said up to now. The same principles apply. The absence of any of these two activities bothers me because it says something about us doing the work and the type of work that we do. Can it be that our type of labour in this 21 st century is not conducive to either whistling or singing? What type of work is that then – draining, stressful, pressured? Or are our conclusions ...