The Restory is a Retreat Centre nestled against Tafelkop, a singular mountain head near Wakkerstroom, South Africa. Here we live a simple life as contemplatives.
It is a place of re-connection: with ourselves, people, Nature, Silence and Creativity. Our retreats are aimed at this. Our conversations, writing and art centre around the univocity of life. We need a place that reminds us that we are all one. The Restory hopes to be such a place and space.
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From The Restory - Conversations On The Journey (113)
Our creativity and our spirituality are so closely interconnected
they are in effect one and the same thing.
Speaking of God, we often use the words “Maker” or “Creator”
without recognizing that those are the terms for “artist.”
God is the Great Artist.
We are creations
and we are intended, in turn, to be creative ourselves.”
Julia Cameron
~ ❖ ~
What if we were to replace "creative" in the Matisse quote with "spiritual"?
Being creative can have a huge impakt on our God-image.
Music
"Jazz helps us be sensitive to the whole range of existence.
Far from offering us rose-colored glasses …
it realistically speaks of sorrow and pain….
Jazz stimulates us to feel deeply and truthfully….
Jazz thunders a mighty “yes.”
Alvin L. Kershaw
May your leaning back into the creative God's love, stimulate you to be creative with abandon.
With our love.
PS. Our friend, Carol Preston, commented on today's conversation. In her comment she mentions the dragon she's been working on for 2 years. It won't fit into the comment section, but it is so beautiful and meaningful, that we want to make it part of the post.
Your conversation really resonated with me, more than usual. As an artist I often immerse myself in a piece of work and then look at it later and think: “where did that come from?” Because more often than not it did not come from me. I am working on a graphic novel and I can spend hours at a time on it, drawing little circles and dotting tiny dots. It becomes a spiritual meditation, as does time in Matilda’s pottery studio when I go there. I believe the process of creativity is more than a gift of a talent, it is a gift of time, and if used wisely, a gift to others who view the work. I have added an image of the dragon who is the key character of the novel. It has taken me two years so far and I am not half way yet, but it is the biggest gift of love I have received from Spirit – the time to work on it, the space to meditate while I do so, and the knowledge that the finished product does not come from me.
The beauty, Carol, is that even though it didn't come from you, it cannot happen without you. YOU are the channel through which Spirit flows. You don't become redundant in the process. "Without God we cannot. Without us He will not." (St Augustine)
Drawing by Ron Leishman When last did you whistle while working? When last did you hear someone else whistle while working? Somehow it bothers me that whistling has become an almost absent element in our work. The sound of a person whistling a tune while busy somewhere in the house or out in the workshop conveys something of an underlying happiness, satisfaction and contentment. An enjoyment of the work itself. The tune need not be flawless. Applying more air than sound won’t lead to disqualification, as long as the intention is there. Whistling can even be replaced by singing in all that I’ve said up to now. The same principles apply. The absence of any of these two activities bothers me because it says something about us doing the work and the type of work that we do. Can it be that our type of labour in this 21 st century is not conducive to either whistling or singing? What type of work is that then – draining, stressful, pressured? Or are our conclusions ...
I have no way of proving that God exists. For a long, long time I believed because I didn't think I had a choice. If it is a choice between heaven and hell, you do what it takes to secure your celestial seat. Somehow I never stopped to consider why I so strongly believed in a heaven and hell, but wasn't nearly as sure that there's a God holding the keys to them. Then the sunbirds came. Slowly but surely I am being taught the dialect I need to converse with God. Or rather, to follow on what seems to be a trail that God leaves me. Being just up ahead and beckoning me all the while, it's not a chase after or a search for God, but rather a joint venture with God scouting and reporting back when my spirit runs low on this journey through life. In A Rare Find and Bird on my window sill I touched on synchronicity. I have come to believe that consciously living our moments, awakens us to the fact that there are more things in this life than meet the eyeball. Things t...
As Matilda has already indicated, one of the most difficult things to do after you’ve visited a country is to return and convey something of what you’ve experienced. How do you show a city’s many faces, introduce its inhabitants? How do you tell of the effects a history has on people and of a stance towards life that can actually not be translated into words? In the case of Prague, it is very helpful to have someone like Jara Cimrman. ~ ~ v ~ ~ Petrin Hill, on the left bank of the river Vltava running through Prague, is in many ways a site worth visiting. Climbing the 299 steps of the Petrin Tower, inspired by the Eiffel Tower, gives you one of the most beautiful views of the city. But by going down into its basement, you enter into the psyche of the Czech people. Here, quite unobtrusively, is the museum for the “ Genius, who has not become famous ”. Matilda and I almost stumbled onto it by chance and as we went through the exhibition, our amazement over this brilliant ...
Carol Preston:
ReplyDeleteYour conversation really resonated with me, more than usual. As an artist I often immerse myself in a piece of work and then look at it later and think: “where did that come from?” Because more often than not it did not come from me. I am working on a graphic novel and I can spend hours at a time on it, drawing little circles and dotting tiny dots. It becomes a spiritual meditation, as does time in Matilda’s pottery studio when I go there. I believe the process of creativity is more than a gift of a talent, it is a gift of time, and if used wisely, a gift to others who view the work. I have added an image of the dragon who is the key character of the novel. It has taken me two years so far and I am not half way yet, but it is the biggest gift of love I have received from Spirit – the time to work on it, the space to meditate while I do so, and the knowledge that the finished product does not come from me.
The beauty, Carol, is that even though it didn't come from you, it cannot happen without you. YOU are the channel through which Spirit flows. You don't become redundant in the process.
ReplyDelete"Without God we cannot. Without us He will not." (St Augustine)