I have not written for a long time. I’m exploring why. I love writing. I love the process of allowing a story to unfold through
me and to then hone it until it shines with the sheen of something made with
utmost care and appreciation for the beauty of the material, in this instance,
words.
How words fascinate me with their beauty! I love how they
look formed in my own handwriting, or in the handwriting of someone I hold
dear. My long departed mom’s left-handed longhand, or in many cases all capital
letters when she needed to make it legible, looking very much like my own. George’s
penciled-in notes in books he’s read, make as good reading as the book
itself; tiny scribbles often with page numbers as cross references or main themes pointed
out.
But even if they are typed, there is a balance and feel
to every word that make me want to simply sit with it and look at it, pronounce it maybe. “Maybe” – “Maybe” – “Maybe” – “Maybe” – “Maybe”
So why then this long period of not writing? Looking back the block kicked in more
or less when I stopped writing morning pages: a practice Julia Cameron teaches in her book The Artist's Way and that entails three pages of free-flow writing first thing in the morning. I
gave it up as my usual spiritual practice in order to use the limited time I
have to commit to another form of
spiritual practice, called centering prayer. This meditative form of prayer doesn’t involve putting pen to paper, or even thought to mind. It is about simply being in the moment and not getting hooked onto thoughts.
Somehow, the flow was stopped and I simply had
nothing to write about. Nothing seemed to surface. Simultaneously my ceramic
work load increased drastically in the last few years. I stock a couple of outlets country-wide;
do commissioned work and present pottery workshops. A lot of my creative energy
goes into my work in the clay studio and so I would often say,” I cannot be a
potter and write.” It just doesn’t seem to be possible.
I could reason that I need to discern whether I am to write,
to sit in meditation or to pot. Maybe do a combination of two out of the three
but seemingly not all three. Potting and meditating have been working well for
me, but I miss writing. No, I more than miss writing. I need to write.
So, I’m adding twenty minutes to my morning practice by
getting up earlier, I’ve picked up my journal again and I am once again diligently
writing morning pages. It’s only a trickle still, but I can feel it coming. I
can hear the distant rumbling after what has been a terrible, but surely
necessary drought.
Necessary, because meditating has been changing me, slowly making
me aware of my ego-centered ways of being. Maybe that is why I had so little to
write about? Everything now seemed to be so “me, me, me!” to quote Sherlock
Holmes’ brother. I would write a piece and wait in anticipation for the
accolades, the "likes", for George to tell me how gifted I am as a writer.
I went outside early yesterday morning to walk barefoot on
the grass that had become soft and feathery after a light bout of overnight
rain. This too has become part of my practice, to connect directly to nature
and to simply be in it for a blessed while before the day takes off. I leaned
against one of my favourite Poplars, her bark soft and pale green with lichen.
I looked up into the height of her lithe branches and then down to the gnarled
roots spread around her base. The solidity of these old ones always soothes me. “I
wish I can hear your voice”, I whispered and pressed my ear to the trunk. I
could hear the rustling of her leaves and a creaking from deep within, and I
yearned to stay there, held safely, but I was in too much of a hurry. My
morning practice had timed out. Life had to be taken care of. Or so I seem to
believe when I decide on things like how long I’ll sit or walk or write or hug
a tree.
“I’ll be back”, I promise her and myself. And I’ll write
about this so I can be clear on how I’m not getting it yet, how I sabotage
myself. But also, how I’m starting to notice again, the way the tree looks at
me with her beautiful root eye. Loving me.
Matilda
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Poplar "Root eye" Photo by Matilda Angus |
Die Week Na 'n Dood Sebastien op sy gelukkigste - by water, besig om vis te vang Die Gesprek Elemente Uit Die Gesprek Musiek Sebastien het altyd gesê, "I like old music.' Hy het. Billy Joel se Piano Man was vir baie lank die ringtone op sy foon. Dat ons só gelukkig kan wees, dankie Sebas. George & Matilda
Beautiful Matilda. It started raining!
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