Skip to main content

A necessary drought

I have not written for a long time. I’m exploring why. I love writing. I love the process of allowing a story to unfold through me and to then hone it until it shines with the sheen of something made with utmost care and appreciation for the beauty of the material, in this instance, words.

How words fascinate me with their beauty! I love how they look formed in my own handwriting, or in the handwriting of someone I hold dear. My long departed mom’s left-handed longhand, or in many cases all capital letters when she needed to make it legible, looking very much like my own. George’s penciled-in notes in books he’s read, make as good reading as the book itself; tiny scribbles often with page numbers as cross references or main themes pointed out.

But even if they are typed, there is a balance and feel to every word that make me want to simply sit with it and look at it, pronounce it maybe. “Maybe” – “Maybe” – “Maybe” – “Maybe” – “Maybe”

So why then this long period of not writing? Looking back the block kicked in more or less when I stopped writing morning pages: a practice Julia Cameron teaches in her book The Artist's Way and that entails three pages of free-flow writing first thing in the morning. I gave it up as my usual spiritual practice in order to use the limited time I have to commit to another form of spiritual practice, called centering prayer. This meditative form of prayer doesn’t involve putting pen to paper, or even thought to mind. It is about simply being in the moment and not getting hooked onto thoughts.

Somehow, the flow was stopped and I simply had nothing to write about. Nothing seemed to surface. Simultaneously my ceramic work load increased drastically in the last few years. I stock a couple of outlets country-wide; do commissioned work and present pottery workshops. A lot of my creative energy goes into my work in the clay studio and so I would often say,” I cannot be a potter and write.” It just doesn’t seem to be possible.

I could reason that I need to discern whether I am to write, to sit in meditation or to pot. Maybe do a combination of two out of the three but seemingly not all three. Potting and meditating have been working well for me, but I miss writing. No, I more than miss writing. I need to write.

So, I’m adding twenty minutes to my morning practice by getting up earlier, I’ve picked up my journal again and I am once again diligently writing morning pages. It’s only a trickle still, but I can feel it coming. I can hear the distant rumbling after what has been a terrible, but surely necessary drought.

Necessary, because meditating has been changing me, slowly making me aware of my ego-centered ways of being. Maybe that is why I had so little to write about? Everything now seemed to be so “me, me, me!” to quote Sherlock Holmes’ brother. I would write a piece and wait in anticipation for the accolades, the "likes", for George to tell me how gifted I am as a writer.

I went outside early yesterday morning to walk barefoot on the grass that had become soft and feathery after a light bout of overnight rain. This too has become part of my practice, to connect directly to nature and to simply be in it for a blessed while before the day takes off. I leaned against one of my favourite Poplars, her bark soft and pale green with lichen. I looked up into the height of her lithe branches and then down to the gnarled roots spread around her base. The solidity of these old ones always soothes me. “I wish I can hear your voice”, I whispered and pressed my ear to the trunk. I could hear the rustling of her leaves and a creaking from deep within, and I yearned to stay there, held safely, but I was in too much of a hurry. My morning practice had timed out. Life had to be taken care of. Or so I seem to believe when I decide on things like how long I’ll sit or walk or write or hug a tree.

“I’ll be back”, I promise her and myself. And I’ll write about this so I can be clear on how I’m not getting it yet, how I sabotage myself. But also, how I’m starting to notice again, the way the tree looks at me with her beautiful root eye. Loving me.

Matilda

                               
Poplar "Root eye"
Photo by Matilda Angus


Comments

  1. Beautiful Matilda. It started raining!

    ReplyDelete
    Replies
    1. This comment has been removed by the author.

      Delete

Post a Comment

Popular posts from this blog

Vanuit Die Restory - Gesprekke Tussen Reisgenote (154)

Wakkerstroom Klassieke Musiekfees 2025 20 - 23 Maart 2025 “God sprei die hemel uit oor die leë ruimte,  Hy laat die aarde hang waar niks is nie.  Hy versamel die water in die wolke, en hulle skeur nie onder die las nie.  Hy plaas die horison op die see,  'n grens tussen lig en donker.  Dit is maar die begin van sy dade,  ons hoor net die gefluister van sy woorde.  Maar die volle krag van sy dade, wie kan dit verstaan?” ‭‭Job ‭26‬:‭7‬-‭8‬, ‭10‬, ‭14‬ ‭AFR83‬‬                           Dit is weer daardie tyd van die jaar! Herfs is oral sigbaar en voelbaar en daar is die geur van kreatiwiteit en voorbereidings in die lug wanneer jy ons klein dorpie binnekom. Hierdie naweek bied ons ons jaarlikse Wakkerstroom Klassieke Musiekfees aan. Wonderlike, talentvolle musikante van oral, tegniese spanne en die mense wat hulle optredes sal bywoon, stroom na Wakkerstroom. Musiek is nie die enigste item ...

Lessons in Sunbirdish (1)

I have no way of proving that God exists. For a long, long time I believed because I didn't think I had a choice. If it is a choice between heaven and hell, you do what it takes to secure your celestial seat. Somehow I never stopped to consider why I so strongly believed in a heaven and hell, but wasn't nearly as sure that there's a God holding the keys to them. Then the sunbirds came. Slowly but surely I am being taught the dialect I need to converse with God. Or rather, to follow on what seems to be a trail that God leaves me. Being just up ahead and beckoning me all the while, it's not a chase after or a search for God, but rather a joint venture with God scouting and reporting back when my spirit runs low on this journey through life. In  A Rare Find  and  Bird on my window sill  I touched on synchronicity. I have come to believe that consciously living our moments, awakens us to the fact that there are more things in this life than meet the eyeball. Things t...

Whistle while you work

Drawing by Ron Leishman When last did you whistle while working? When last did you hear someone else whistle while working? Somehow it bothers me that whistling has become an almost absent element in our work. The sound of a person whistling a tune while busy somewhere in the house or out in the workshop conveys something of an underlying happiness, satisfaction and contentment. An enjoyment of the work itself. The tune need not be flawless. Applying more air than sound won’t lead to disqualification, as long as the intention is there. Whistling can even be replaced by singing in all that I’ve said up to now. The same principles apply. The absence of any of these two activities bothers me because it says something about us doing the work and the type of work that we do. Can it be that our type of labour in this 21 st century is not conducive to either whistling or singing? What type of work is that then – draining, stressful, pressured? Or are our conclusions ...