Caught in the amber

A small river we cross on the way to Newcastle. Photo by Matilda

This time round I have been waiting very long for the spark. That tiny little flicker of a thing that sets the ready kindling alight, slowly warming my insides with ideas licking slowly higher and higher, until I can no longer contain myself. And start creating in a burst of red hot energy!

It is not a necessary ingredient in the life of an artist, I am told. One should create, write, sculpt whether you feel inspired or not. It comes with the doing. With the keeping at it. So I'm told and it has been my experience for the most. But there is a marked difference. If inspiration can be graded, I would have to say, the keep-at-it-and-it-comes-along variety has always been rather lukewarm for me personally. It does not seem to heat up much, but burns steadily and quietly, producing well... well, producing sellable products. But it hardly raises my pulse.

While I'm in the creative slow cooker I am forever looking out for that something that will turn up the heat. It always surprises me with it's effervescence. Seconds or a mere look in another direction can make it flit by unnoticed.

This time it came in a pair, unmatched but definitely from the same neck of the woods. The first found me in an antique and collectible shop: a vintage tea cosy. In a faded linen fabric, like creamed butter, with dainty flowers hand embroidered on both it's padded sides.

Photo by Matilda

It's unlikely twin jumped out at me from a quote published on facebook by a friend.

"Well, here we are, Mr. Pilgrim, trapped in the amber of this moment.

There is no why."

- from Slaughterhouse Five by Kurt Vonnegut

And even though it comes from a very different setting altogether, the simple truth and beauty of the image lit me up inside and spilled right out of me as I suddenly found amber all around me. "Trapped in the amber of this moment." How gloriously true at this time of the year. How delicious and warming to dive into!

Why this? Why does it fire up my imagination? Why now? There is no why. It just does.

View to the South. Photo by Matilda

View to the North. Photo by Matilda

View to the East. Photo by Matilda

View to the West. Photo by Matilda

Matilda

Vanuit Die Restory - Gesprekke Tussen Reisgenote (110)

Die Week Na 'n Dood Sebastien op sy gelukkigste - by water, besig om vis te vang Die Gesprek Elemente Uit Die Gesprek Musiek Sebastien het altyd gesê, "I like old music.' Hy het. Billy Joel se Piano Man was vir baie lank die ringtone op sy foon. Dat ons só gelukkig kan wees, dankie Sebas. George & Matilda

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Vanuit Die Restory - Gesprekke Tussen Reisgenote (120)

Skuld as Motivering Die Gesprek Elemente Uit Die Gesprek ~ ❖ ~ "I am convinced that guilt and shame are never from God. They are merely the defenses of the False Self as it is shocked at its own poverty — the defenses of a little man who wants to be a big man. God leads by compassion toward the soul, never by condemnation. If God would relate to us by severity and punitiveness, God would only be giving us permission to do the same (which is tragically, due to our mistaken images of God, exactly what has happened!)." Richard Rohr ~ ❖ ~ "It is about as hard to absolve yourself of your own guilt as it is to sit in your own lap. Wrongdoing sparks guilt sparks wrongdoing ad nauseam, and we all try to disguise the grim process from both ourselves and everybody else. In order to break the circuit we need friends before whom we can put aside the disguise, trusting that when they see us for what we fully are, they won't run away screaming w...

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