Skip to main content

From The Restory - Conversations On The Journey (208)

 

Love and Sorrow



The Restory's program this week largely reflects the larger Easter themes. Over Easter weekend, starting on Thursday, the exceptional Pippa Jarvis from Embrace Village is hosting an Expressions of Loss retreat here with us, with the  focus on mourning. Others' stories of loss and grief unfold our humanity and touch us, precisely because recognition and compassion are part of the process.

Over the 5 days that it lasts, we reflect on elements of the grieving process during the prayer times in the morning and evening, which beautifully connect with and give new meaning to the themes of Easter.

The opening and closing prayers at the beginning and end of the times of silence, are the lines from a poem or other literature that highlight the theme of that day:

Thursday



Good Friday



Holy Saturday



Easter Sunday



Easter Monday

On the last day of the retreat, we return to the prayers of the first day.  



Before the start of the retreat, with us being alone here at Tafelkop during Holy Week,  early walks took us into clean and fresh mornings. It drew us into the Great Love who also carries and guides us through the dark valleys of our humanity. As Chesterton said, the universe is not a riddle to be solved, but a miracle to be enjoyed.












The title of this beautiful piece of music by Lisa Gerrard and Patrick Cassidy is I Asked For Love. Actually, that's what we are constantly doing, but even more so during difficult times. And we receive it. 





"And we pray, not
for new earth or heaven, but to be
quiet in heart, and in eye,
clear. What we need is here."

Wendell Berry                                              

With all our love. May your experience an Easter that brings you in touch with being human and makes you deeply aware of Love.  


George & Matilda                                 


Comments

Popular posts from this blog

Whistle while you work

Drawing by Ron Leishman When last did you whistle while working? When last did you hear someone else whistle while working? Somehow it bothers me that whistling has become an almost absent element in our work. The sound of a person whistling a tune while busy somewhere in the house or out in the workshop conveys something of an underlying happiness, satisfaction and contentment. An enjoyment of the work itself. The tune need not be flawless. Applying more air than sound won’t lead to disqualification, as long as the intention is there. Whistling can even be replaced by singing in all that I’ve said up to now. The same principles apply. The absence of any of these two activities bothers me because it says something about us doing the work and the type of work that we do. Can it be that our type of labour in this 21 st century is not conducive to either whistling or singing? What type of work is that then – draining, stressful, pressured? Or are our conclusions ...

A likely Hero: Jara Cimrman

As Matilda has already indicated, one of the most difficult things to do after you’ve visited a country is to return and convey something of what you’ve experienced. How do you show a city’s many faces, introduce its inhabitants? How do you tell of the effects a history has on people and of a stance towards life that can actually not be translated into words? In the case of Prague, it is very helpful to have someone like Jara Cimrman. ~ ~ v ~ ~ Petrin Hill, on the left bank of the river Vltava running through Prague, is in many ways a site worth visiting. Climbing the 299 steps of the Petrin Tower, inspired by the Eiffel Tower, gives you one of the most beautiful views of the city. But by going down into its basement, you enter into the psyche of the Czech people. Here, quite unobtrusively, is the museum for the “ Genius, who has not become famous ”. Matilda and I almost stumbled onto it by chance and as we went through the exhibition, our amazement over this brilliant ...

You never can tell

This morning I was out in the vegetable garden looking for signs of sprouting cabbage and spinach that we had sown a week ago. Among the weeds, I did find the tiny seedlings pushing through bravely, but I had a surprise coming. The young Zulu gardener drew my attention to an abundance of ready food growing in the ruins of the tiny stone cottage only meters away: Umbido, a type of wild spinach, and a staple food in the rural areas. I grew up with much the same in the northern parts of the country, but called Marogo in the Sotho language.  Enter my new helper and friend, Winnie Nkosi. She lives on the edge of the Zaaihoekdam in a traditional mud house with no electricity. Twice a week she walks the four odd kilometres to help me with all things domestic. She has also taken it upon herself to teach me the Zulu language and culture with optimistic determination. The planned lunch menu was immediately ditched in favour of a lesson in local cooking and Winnie showed me the differenc...